Itâs become a soldiersâ TikTok genre by now: Israeli soldiers taking photos with the belongings of displaced/murdered children in Gaza.
This one was posted on January 22nd.
Another photo from the same soldierâs TikTok account, of another genre favored by IDF soldiers - pics with displaced/dead Palestinian womenâs clothing items.
The side of her the media wonât show you
An artist I admire has already begun using âGlasgow Oompa Loompaâ to sum up their long term state of âdoing the best they can with the limited resources they have and trying their best to be kind to others even though the world is grinding them down and itâs entirely the fault of SCAMMING ASSHOLES IN CHARGEâ and I feel that so deeply
SHE HASNT EVEN BEEN PAID FOR IT YET
(via driftsixfour)
We will not forget those who supported Palestine. You are in our prayersâ¤ď¸
#my family does this thing#when weâve majorly unfucked a room or done chore that we were putting off#or whatever. Any sort of household Improvement.#âCome brag on me.â#I means come look I cleaned/rearranged/did dishes/put away the laundry#and the scripted response is 'oh nice it looks SO much better in here nowâ#like my mom did this when we were kids.#'girls comr brag on the garage I finally organized it so I can get my car in thereâ#and we go and 'oohâ and 'aahâ and tell her how nice it looked and how she did a good job#and we could have her 'come brag onâ us for like doing the dishes or cleaning our rooms#I do it to my wife now too#itâs a dialogue that means#'I did a chore and it feels like an Accomplishment even if it objectively wasnât a big thing. Please acknowledge this.â#and#'Wow you sure did do a thing. It has improved our material circumstance even if only in a small way. Thank you for doing it.â#like yeah scrubbing the pans is my Job and itâs a Little Task but sometimes it feels like a Big Task#and itâs nice to have an Accepted Script where I can just demand 'I have functioned as an independent adult praise me with great praiseâ - by @thepioden
(via driftsixfour)
A murder mystery film set in a medieval village. After an outbreak of plague, the villagers make the decision to shut their borders so as to protect the disease from spreading (see the real life case of the village of Eyam). As the disease decimates the population, however, some bodies start showing up that very obviously were not killed by plague.
Since nobody has been in or out since the outbreak began, the killer has to be somebody in the local community.
The village constable (who is essentially just Some Guy, because being a medieval constable was a bit like getting jury duty, if jury duty gave you the power to arrest people) struggles to investigate the crime without exposing himself to the disease, and to maintain order as the plague-stricken villagers begin to turn on each other.
The killer strikes repeatedly, seemingly taking advantage of the empty streets and forced isolation to strike without witnesses. As with any other murder mystery, the audience is given exactly the same information to solve the crime as the detective.
Except, that is, whenever another character is killed, at which point we cut to the present day where said character’s remains are being carefully examined by a team of modern archaeologists and historians who are also trying to figure out why so many of the people in this plague-pit died from blunt force trauma.
The archaeologists and historians, btw, are real experts who haven’t been allowed to read the script. The filmmakers just give them a model of the victim’s remains, along with some artefacts, and they have to treat it like a real case and give their real opinion on how they think this person died.
We then cut back to the past, where the constable is trying to do the same thing. Unlike the archaeologists, he doesn’t have the advantage of modern tech and medical knowledge to examine the body, but he does have a more complete crime scene (since certain clues obviously wouldn’t survive to be dug up in the modern day) and personal knowledge from having probably known the victim.
The audience then gets a more complete picture than either group, and an insight into both the strengths and limits of modern archaeology, explaining what we can and can’t learn from studying a person’s remains.
At the end of the film, after the killer is revealed and the main plot is resolved, we then get to see the archaeologists get shown the actual scenes where their ‘victims’ were killed, so they can see how well their conclusions match up with what 'really’ happened.
(via andromeda3116)
IOF: Hamas rapes women
Hostages: They didn’t harass the women, treated everyone fairly
Meanwhile IOF: *Releases pictures of naked Palestinian men*
Yeah the real sexual assaulter is IOF. Every accusation is a confession.
May zionists burn in hell forever.
Displaced children have been forced to seek makeshift shelter in chicken coops after their tents succumbed to flooding. This tragic reality evokes painful echoes of history, reminiscent of the deplorable conditions endured by Jews during the Holocaust, confined to horse stalls and sleeping on wooden shelves never intended for humans.
The phrase ânever againâ lost its meaning shortly after World War II, as the world witnesses a disturbing repetition of past atrocities. Despite solemn vows, the worldâs involvement in supplying arms only exacerbates the suffering of the oppressed. It serves as a stark reminder that complacency and inaction pave the way for history to repeat itself.
A woman, who has not been publicly identified, burned herself using gasoline outside the Israeli consulate in Atlanta in December. She survived, but suffered third-degree burns. A Palestinian flag was found at the scene, and the act was believed to be one of protest, according to authorities.
(via ragingbullmode)













